What makes a straight leg straight
A straight leg jean holds the same width from the knee down to the hem. That is the whole definition. Everything above the knee can vary, which is why two straight legs can feel completely different on the body while both remain straight: the cut through the hip and thigh is a separate decision from the leg line below it.
What the straight line produces is a jean that draws attention to no single part of the leg. Billie runs wide through the leg and still falls straight, which is how the brand's best seller carries a relaxed feel and a straight silhouette at the same time. Annette does it high on the waist with a slouchier hip. Both sit inside the same women's jeans range.
Slim, straight, relaxed and wide leg
Straight is the fit the other three are measured against. If you are choosing between the four, this is what separates them.
Slim. Cut close through the hip and thigh, then narrowing gradually toward the ankle without gripping the calf. The leg line follows your own. Choose this if you want the jean to sit against you and you plan to wear it with a boot or a flat. AMO's slim styles are 143, cropped and mid rise, and Libby, tapered and cropped just above the ankle.
Straight. The same width from the knee to the hem, so the leg falls from your hip in one line. The width itself can be narrow or wide; what makes it straight is that it stays constant. Choose this if you want one jean that works with almost every shoe you own. Billie and Annette are the two straight legs on this page.
Relaxed. Extra room through the hip, seat and thigh before the leg drops straight or with a slight taper. The fabric moves independently of your leg. Choose this if you want ease through the seat and thigh without adding width at the hem. Odette and Tatum are both relaxed straights and both are in this grid.
Wide leg. Widening from the knee outward, so the hem covers most of your foot. Rise and length carry more weight here than in any other fit. Choose this if you want volume below the waist and a long line above the shoe. Frida runs high and Regina runs low.
The full grids sit here: slim jeans, relaxed jeans, wide leg jeans.
Rise, and what it does to a straight leg
Rise sets where the waistband sits against your torso, and that single measurement changes the apparent length of your leg more than anything below the knee. A higher rise moves the visual break upward. A lower one puts it at the hip.
This grid runs mid rise heavy because Billie is mid rise, worn on the hip and cut for it. Annette goes high with a subtly slouchy feel through the hip and a long inseam. Odette drops low and keeps the length full. If rise is the decision you are stuck on, mid rise jeans and high rise jeans set it out in full.
The 90s straight leg
The 90s reference is structural. The jeans that decade is remembered for had four properties: a mid-rise, rigid cotton with no stretch, a leg that fell from the hip without taper, and a hem landing at or just above the ankle. That is a literal description of Billie.
Rigid cotton is the part that matters and the part most brands skip. A denim woven with elastane holds its shape against the body and springs back to it. A rigid cotton takes the shape you give it and keeps it, which is why the knee softens, the seat drops a little, and the whole jean starts to look like yours after a month of wear. Billie is cut from premium rigid denim with hand-applied distressing, so no two pairs wear down identically from the day you buy them.
Length: cropped, full and tall
The last decision on a straight leg is where it ends, and it changes the jean more than the rise does. Crop it above the ankle and the leg line stops cleanly, your shoe becomes visible, and the jean works with a flat or a low boot. Take it to full length and the hem sits on the shoe, which gives you a longer unbroken line and asks more of the footwear underneath.
Billie is cropped by design. Annette runs full length with an inseam cut deliberately long for stacking, so the extra fabric gathers at the ankle instead of dragging. Odette is full length at a low rise. Both routes are covered across cropped jeans and full length jeans.
Wash across the straight collection
This collection covers multiple patterns, with the Billie making up much of the range. One pattern in several finishes is a position: the fit has been settled, and the variation happens in the fabric.
The grid runs from pale washes through to deeper indigos, with Metaphor and Warmth sitting in the middle of the range. Leopard is a print applied to the same cut, which is the cleanest way to see how little the pattern underneath changes when the surface does. If wash is the decision you want to make first, start from medium wash jeans or light wash jeans and work back to the fit.